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She threatened to toss me to the ghosts and serpents on the Coiled Path. Everyone involved could make a fortune if the Mabrigash could be convinced to open trade with the outside world. They are, however, unwilling to sell or trade this wonderful material to outsiders-or even to the men of their own tribe. They use this leather for everything, from clothing to packs to a simple armor. From an economic perspective, the tribe crafts unique snakeskin leather. She spoke very fast, and as I've said before, my mastery of the dialect was far from perfect. Or that it was a creepy dead snake that liked to haunt the Vale and eat innocent Mabrigash children. She went on to tell me that the Ghost Snake was the combined spiritual essence of the tribe's female ancestors, given spectral form by the belief and respect of the living tribe members. The Ghost Snake offers advice and protection, as long as we care for the Vale, she continued. Follow the Coiled Path and you'll find out, she replied with a bat of her cute little eyelashes. What is this Ghost Snake I keep hearing about? I asked her. I deflected her question with one of my own. My understanding of the Mabrigash dialect is rudimentary, at best. She asked me why I was being so creepy and watching them all the time. She approached me with absolutely no fear or hesitation. Here is the legend of the Ghost Snake, as it was told to me by a charming little lady of some six or seven years of age. The tribal elders encourage trials to honor this Ghost Snake, and many of these end in the death of the participants. It appears they sacrifice their own tribe members to this mythical deity. I believe they use this so-called Ghost Snake to scare visitors away and to keep the village population in line. They claim a Ghost Snake gives them advice and watches over the Vale. I wouldn't say this society hates males, but they certainly don't trust them or like them very much. They also seem to outnumber the males by a factor of three or four to one. The Mabrigash appears to be a matriarchal society, and their females are definitely more dominant than males. Forthwith, here are my findings on the Mabrigash: The Mabrigash do not welcome visitors. I remained nearby for a time, watching them and recording my observations. However, my curiosity about this isolated tribe steeled me against their attitude. Although, frankly, their rudeness, which rivals that of any of the more civilized Dark Elves I have ever met, is more than enough to drive outsiders away. ![]() I believe they have concocted the story of the perilous Ghost Snake to discourage outsiders from lingering too long in their village. Unlike their Vvardenfell brethren, this tribe is not nomadic and appears to have settled in an isolated region of Deshaan, a location they call the Vale of the Ghost Snake. Observations on the Mabrigash from the journals of Bonorion the Wanderer, 2E 568 In Deshaan, I encountered a strange tribe of Dark Elf Ashlanders. Contained within Shalidor's Library, these books are part of the subcollection Deshaan Lore Legend of the Ghost Snake is a Book in Elder Scrolls Online. Download it from the Mac App Store at an introductory price until November 23.ClipExporter 2, improves workflow between FCPX and other video editing applications Here are is the result of exporting the previous Final Cut Pro X timeline to After Effects and Nuke in the Finder:įor more information, including a 30-day demo version visit ClipExporter. If you need to export a After Effects project with the same timeline, that is also an option. All the clip metadata is included in a Backdrop node. The used footage only (with optional handles) is copied into new clips using the source codec and each clip is converted into a Nuke file. In this mode not as many parameters of the Final Cut timeline can be recreated in After Effects due to limitations in the Final Cut XML format, but you can add notes to the clip metadata which will appear as layer comments in AE. Define which metadata is included by choosing the relevant metdata view when exporting the XML final from Final Cut.ĬlipExporter includes naming templates which name the new smaller clips to match the import specifications of other high end post-production tools.Įxport media managed timeline to After Effects – including RED footageĪfter Effects ‘linked mode’ does the media management of the Video Exporter – creating copies of only the media used in a Final Cut Pro X timeline and makes a After Effects project that uses the new clips as a source. ClipExporter even adds Final Cut Pro X-specific metadata to the new smaller clips (on all formats apart from RED clips). Media managementĬlipExporter’s Video Exporter exports only the video used in a timeline (with optional handles) as new clips – not re-encoding, creating new smaller ProRes, H.264, AVCHD and RED files. It will be updated automatically in Final Cut Pro – even if it is editing the timeline where the clip is used. In the Finder then replace the first export with the second version. Once you have updated the After Effects project, re-export the QuickTime movie with the same name in a sub-folder of the location where you first exported. However you can make changes ripple through to Final Cut easily. Not Dynamic Link, but quick to update in Final CutĪs ClipExporter doesn’t use Adobe Dynamic Link, you need to render your After Effects project as a QuickTime movie and import it as a clip in Final Cut Pro X (keeping it external to the library). The timeline in After Effects including a marker and the metadata note appearing as a layer comment: jsx files are script files that are run using the File:Scripts:Run Script command. On export a clip report is shown which can be exported as a text file:ĬlipExporter generates. Just the After Effects logo is selected – this is After Effects export mode – without media management. Including a note to the compositor on one of the clips: It even converts retimed clips, metadata and notes. ClipExporter 2 also translates keyframes of most of these parameters. Timeline elements including blend modes, position, scale, anchor point, rotation, distortion, notes and markers are recreated as AE projects. The list includes timecode information and Final Cut metadata and can be exported as a CSV file, which is useful for workflow administration.ĬlipExporter works in four modes. ![]() You can even choose which clips to export by only converting clips with specific roles.Īs part of the export process ClipExporter 2 also produces a clip log listing all the clips being converted (in a timeline or the clips with specific roles which will be exported). A useful tool for getting media managed RED footage onto an After Effects timeline.ĬlipExporter 2 has been rewritten to take advantage of all the features of Final Cut’s XML format – recreating timelines in After Effects and Nuke. Many high-end TV and feature films use After Effects and Nuke to create more advanced effects and compositions.ĬlipExporter2 also exports media managed clips from Final Cut – useful for other post production tools that need the footage used on the timeline only. Although Final Cut has the best NLE real-time compositor, there are times when more complex problems need to be solved. It takes Final Cut Pro X timelines and makes them editable in Adobe After Effects and Nuke. New on the Mac App store: ClipExporter 2 for Final Cut Pro X. ![]() If all humanity had to do was rely on a readily available water source to drive these aliens off then it would be a short battle to be certain. One would think they might travel to Mars where there’s no standing water and therefore no chance of being harmed so readily. The poison that they can spray might be a huge problem, but the fact that they’re harmed by water makes it very hard to imagine why they would come to a planet that’s so abundant in it. This movie is a little more confusing since the aliens didn’t really do anything apart from remaining hidden from the humans up until their big reveal. That kind of takeover is hard to fathom, if only because it’s simply too terrifying to contemplate. Imagine if it could eventually adapt to something that closely resembled a human, or simply decided to take over by using whatever means it could find in order to immerse itself within a population. Its growth rate is insane, and the fact that it can dissolve whatever it touches and continue to grow bigger as it continues to learn and adapt is horrifying. LifeĬalvin is just flat out scary since the creature is all brain and all muscle and has only a negative relationship with humans during its growth on board the space station where it was coaxed to life. If there are aliens out there that can traverse the stars we might appear like very unintelligent bumpkins that have yet to escape the confines of our planet and find a way to meet our galactic neighbors. This is one great example that notes that humans are the greater threat since our sometimes backward way of thinking makes it almost impossible to recognize when we’re being threatened and when someone is trying to help us. To be certain, this wasn’t so much of an invasion as it was an attempt by the aliens to enlighten the human race so that later on the humans could help them when they needed it. Here are a few instances of an alien invasion that might be more realistic than others. Our imagination reaches a lot further than we’ve been able to as of yet, but if an alien race did decide to descend in force it’s very likely that they would prove to be quite effective against earth’s forces since their technology is far, far beyond our own and unless they’re a peaceful race it’s very likely that they might have devised a way to eradicate carbon-based lifeforms with brutal efficiency. But should alien life ever make their way to earth and attempt to take over, or in some way try to exert any influence over humanity, it’s likely that as great as the planet’s combined military force is, the aliens might get a chuckle out of the efforts put forth by the humans since when one thinks about it, they managed to come up with a way to cross the vast distances of space in order to come to this world, where we have yet to send a human beyond our own moon. Be sure to check it out.It’s kind of amusing to say that a movie can ‘realistically’ depict an alien invasion since to our knowledge it hasn’t happened yet unless there’s a mass incursion that no one knows about and that conspiracy theorists have been trying to tell us about for years. The first three episodes of Invasion will debut on Apple TV+ on 22 October 2021, followed by 7 episodes premiering weekly. Plus, it's been a while since we got some watchworthy alien invasion stories that broke new ground. Hopefully, Invasion changes that and puts Apple TV+ on the map. Apple boasts some superb dramas like Ted Lasso and The Morning Show, but they don't have one to rival the high profile shows on Netflix or Disney+. But that's a paltry sum considering Apple's net worth, and it's a necessary move too. Invasion is said to have a budget exceeding $200 million, making it the streamer's most ambitious show to date. And I think I was really trying to find storylines in our show that would explore that feeling of alienation and really sort of explode it under the intensity of the magnifying glass of an actual alien invasion." He further added, "One is the fact that we're all aliens, that there is a sense of alienation that I think all people carry with them in some form, whether they're alienated from their families, alienated from their communities, alienated from their jobs, there is a sense of disconnect.
![]() Until today I had only one problem, and that was very soon after the install. The DFC90 autopilot was installed in my plane in June 2013. ![]() No big deal, I think, because you have to monitor it anyway, so you can just as well do it manually. Of course, you will still not have the VNAV functionality, meaning the airplane will not automatically fly the stepdown altitudes of RNAV/GPS approaches. Not so with Garmin: You will have to set the descent rate every time. Want to dial in a new lower altitude? Select the altitude and press ALT+VS (or ALT+IAS and the airplane will automatically use the default descent rate of -500 ft/min. Avidyne Entegra, although introduced in 2003 is still a very good glass cockpit and it even has some features that are clearly superior. Many pilots, especially beginners with less experience with avionics think that “it has to be” Garmin G1000/Perspective. ![]() Perspective will still have more features, some of them (like the AHRS redundancy and the TKS gauge) very good, but you have to ask yourself if you want to spend between 50 and 100 thousand Euros more for the plane, and if you really need those features. The DFC90 autopilot, especially in combination with WAAS brings a G2 or G3 Cirrus to a different level, i would even say it is the best upgrade for an original Avidyne-SR22. The complete package was $ 14.990 (plus European VAT) and it was so attractive that I ordered it before my first flight in the plane while it was still in the pre-buy inspection. When I bought the airplane in 2013 Avidyne had a very attractive offer: The DFC90 autopilot plus a complete overhaul of both the MFD and PFD with the necessary PFD software upgrade (Minimum requirement is Version 6.2.2) which i would later need for WAAS too) and the replacement of the scratched Screens with real glass. The DFC90 is a digital attitude based autopilot that was developed as a retrofit for the S-TEC55X that was delivered in thousands of SR airplanes. The first step was to replace the S-TEC autopilot with Avidyne’s new digital DFC90 autopilot. Much better than an NDB approach but much less safe than an ILS – or 3D GPS Approach.įirst Upgrade: DFC90 Autopilot and Overhaul of the Entegra Glass Cockpit The only “GPS approach” that was available with the original 430 navigators is the 2D “LNAV” approach without vertical guidance. While this equipment was better than what (estimate) 95 percent of all GA airplanes (twins and turboprops included) had in 2013 it would soon become apparent that 3D GPS approaches like LNAV/VNAV, LPV and LNAV+V were on the rise – all of which need SBAS (Satellite Based Augmentation System) navigators, known as “WAAS” in the USA or WAAS/EGNOS in Europe since over here we can use both satellite systems. When I first bought my 2006 SR22-G2 GTS in 2013 it still had the standard equipment typical for that vintage: Avidyne Entegra PFD and MFD, 2 x Garmin GNS430 non-WAAS navigators, GTX330 Mode S-Transponder, Garmin GMA340 Audio Panel, S-TEC55X rate based Autopilot and the Honeywell KGP560 EGPWS system ![]() This is somewhere the base game already was already well stocked and the extra DLC that comes with the GOTY edition makes it even more complete. The 2019 FIA World Rallycross Championship is part of the Game of the Year edition. It’s incredibly challenging to nail that sweet spot of ensuring you finish each and every stage but at the same time set a competitive time, whether that be against the A.I. Have this on the most difficult settings and this game won’t let you off, no matter how small your mistake is. There’s a very fine line between nailing a hairpin turn on a dark and wet night in a Welsh forest and going for a barrel roll among the scenery. Thank goodness this game isn’t real life, that’s all I’m saying. The setup I have is an ‘entry level’ Logitech G920, so I thought the first time I fired the game it would be relatively easy to set a fast time on one of the online leaderboards. ![]() The best place to start is by saying just how challenging but in the end satisfying this game is. Annoyingly Frustrating but Hugely Rewarding Add in extra game modes, such as the returning FIA World Rallycross Championship (the 2019 cars now included as part of the GOTY), and this in theory is one of the biggest and most complete off-road games ever produced. This was then followed last year by this second version of this new philosophy, with more cars, more stages and better physics all on the list of new and improved features. Avaliable now on XBOX One, PC, PlayStation 4ĭiRT Rally 2.0 has often been praised over the last 12 months, but how does the Game of the Year edition, featuring all of the downloadable content released for the game including the new McRae FLAT OUT pack, shape up?ĭiRT as a name has been around since 2007 where the aforementioned McRae’s name was part of its title and Codemasters have over the last 13 years released a series of sequels, all with different ideas behind them.īut it was in 2015 when arguably the biggest shape up in the franchise occurred with the sudden early-access release of the first DiRT Rally which was aimed mainly at die hard sim-racers for the first time in the series. ![]() Michael Isaacson’s V'ahavta was composed at Kutz camp in 1967. Unfortunately, I am not able to provide musical examples for these two pieces here – but they are worth looking up and taking some time to listen to them. The choral setting from his Evening Service for the Sabbath, also for baritone Cantor and choir, is a favorite of students from HUC’s School of Sacred Music. Israeli composer Yehezkiel Braun who served as professor of music at Tel Aviv University had a particular interest in liturgical chant and Jewish folk music. ![]() ” The use of three part women’s voices created a then contemporary and beautiful contrast to the Cantor’s part, a baritone solo. Listen There are many examples which help to musically define the text as well as the changes in modern Jewish music which have occurred in the 20th and 21st centuries.Įrnest Bloch spent a year studying the synagogue music and Hebrew texts used for Shabbat morning worship as part of his preparations for composing a glorious version of V’ahavta in 1933 for his choral work, “ Avodath HaKodesh,” “Sacred Service. Mishkan T’filah includes the cantillation marks so we may learn as a community while we chant as a community. 32a) Historically, thus, chanting the text became the way we were able to express its meaning and beauty, and it is inspirational for us to chant, as from the Torah, together as a community. The Talmud tells us that “the Torah should be read in public, and made understood to its hearers in musical and sweet tones.”(Babylonian Talmud Megillah. The first musical example of this text that you will hear, is chanting to Torah trop, or cantillation. With the development of contemporary Jewish music and participatory services has come a wider variety of settings for both the Hebrew and English texts. The English recitation of the first of the three paragraphs of the text of V’ahavta, became imprinted upon those of us who grew up in Reform congregations. ![]() In their articles of the last few weeks, Rabbi Richard Sarason and Iris Koller have taught us about the differences in liturgical emphasis of the three paragraphs of the Sh’ma in building a communal and individual relationship with God. Through musical interpretation of the text, we are easily able to put these words in our mouths “when we are at home and when we are on our way.” Music is the perfect means of expression for joyously fulfilling this obligation. The sacred text of Sh’ma- V’ahavta, repeated daily in our liturgy, inspires and guides us to teach and share – diligently – these words of Torah. ![]() ![]() We believe that it's the intangibles of a vintage shirt that make it so appealing. They want to emulate that old photo of their dad with a mustache, short shorts, and a ringer tee.well, part of it anyway. People want to remember their glory days and the times when they didn’t have a worry in the world. It’s a look that doesn’t get old because nostalgia is always in style. And when they see all of the cool, vintage shirts that we have in our stores, they want us to screen print custom vintage shirts for their brand. In fact, some people assume it’s the only way we know how to print. It’s what people know us for.įrom Better in Toledo to Lion Store to Thackery’s, we’ve made a name for ourselves with our retail line of shirts with retro designs and logos. Upon exiting the dryer, the t-shirts continue on the belt where they are caught and counted by a QC (quality control) specialist.Įnjoy watching the process roll out in this fun video.We print a lot of vintage style t-shirts. The belt travels through a dryer where it is exposed to the extremely high temperatures needed to cure (or set) the ink. Once all of the colors have been printed, the shirt is removed from the pallet and placed on a conveyor belt. At each head a different ink color is printed by a squeegee that pulls the ink across the stencil made on the frame. Step 6: Run The PressĮach shirt is loaded on screen printing pallet (also called a table) and makes its way around the press stopping at each head (or station). Any nudges to the registration can be done at this time until all colors line up perfectly. Once the screens are registered, the press operator adds the appropriate screen printing ink to its corresponding frame and runs a sample by printing all of the colors. The alignment of the screens is called registration. Step 5: Set Up The PressĪ press operator prints one color on a scrap shirt and aligns the other screens. These areas remain open and screen printing ink will be able to pass through the open mesh. Once the calculated exposure is complete, each frame is rinsed off with water and the emulsion in the areas that were blocked from light dissolve. The black ink or toner on the film positive blocks the light from shinning on the emulsion in those areas. ![]() The frames are then placed on a large vacuum table, called an exposure unit, and exposed to intense light for a short period of time that varies depending on the amount of detail in the art and the tightness of the fabric weave. Once dry, the film positive is affixed to the screen with some clear tape. Blank screens are coated with a light sensitive emulsion. These mesh covered frames are the screens used in screen printing. Metal frames are covered with an acrylic mesh fabric that is stretched tight. One film positive is printed for each color that is going to be screen printed. The software communicates this information to an office printer that will print black ink or toner on a clear plastic surface such as vellum, acetate or clear film. Color separation is when you tell the design software which color areas in a design will become a screen. Your final digital art file is color separated to make film positives. If you submit art that is already complete and fully digital, skip this step. Most shops these days process art digitally, so this is a necessary step even if no additions or tweaks are needed. Step 2: Scan & Add Finishing Touchesīy scanning a drawing, you can clean up the lines, add color, add text, complete the design, or make any adjustments to perfect the art file. You don’t have to use a bar napkin-any paper you have on-hand will do. If you are having your screen printer’s art department create art for you, sketches of your ideas, logo placement, and text layout are all very helpful. 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